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ECSTATIC DISLOCATION: SLIP-SYNCS COLLAPSE AND STRANGE UNREALITIES IN THE FILMS OF SOGO/GAKURYU ISHII by Jennifer Lucy Allan

ECSTATIC DISLOCATION: SLIP-SYNCS COLLAPSE AND STRANGE UNREALITIES IN THE FILMS OF SOGO/GAKURYU ISHII by Jennifer Lucy Allan

Good Press

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130 x 190mm, 72 pages, Single colour printing, Perfect bound, Softcover, 2026 You can talk about Ishii and music and you can talk about Ishii and sound. I want to talk about both. I want to talk about him as a node in a network of musicians and bands that starts with punk but spider webs out to ensnare post-punk industrial and ambient music with a brief free jazz cameo. I also want to talk about the way he uses sound rhythm and silence. This is not just about soundtrack. A soundtrack tends towards telling you something about what’s happening. Soundtracks tell you what to feel whether there is

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The part other shops don't tell you. Three separate questions, kept separate on purpose, each with its source.