BRANCUSI’S TRINITY by Richard Clements
Good Press
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122 x 178mm, 84 pages, Colour printing, Perfect bound, Softcover, 2026 In BRANCUSI’S TRINITY, sculptor Richard Clements focuses on a proposed Hermetic cosmology between three of Constantin Brancusi’s sculptures: Endless Column (1918-1937), Table of Silence (1937), and Cup (1918-1925), positing them as an inseparable and holistic Trinity. Avoiding the traditional art historical lens that looks at an artist’s biography, historical context, or symbolic/psychoanalytical interpretations, Clements instead approaches these works by focusing on their interrelated formation, formal and phenomenological
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